Das Fenster zum Hof (Originaltitel: Rear Window) ist ein US-amerikanischer Spielfilm von Alfred Hitchcock aus dem Jahr Grundlage war die. Rear Window, Hitchcocks Quarantänen-Film. Vor 66 Jahren drehte Alfred Hitchcock einen Film, der seine Karriere zusammenfasste. Rear Window. USA , Spielfilm, Regie: Alfred Hitchcock, E/d/f, Min. Mit James Stewart, Grace Kelly, Thelma Ritter, u. a. Ab 12 Jahren.
Rear Window, Hitchcocks Quarantänen-FilmEiner dieser Filme ist mit Sicherheit REAR WINDOW (), in dem Hitchcock die Geschichte eines an den Rollstuhl gebundenen Fotografen erzählt, der glaubt. von Ergebnissen oder Vorschlägen für "Rear Window". Überspringen und zu Haupt-Suchergebnisse gehen. Berechtigt zum kostenfreien Versand. Directed by the Master of Suspense, Alfred Hitchcock's Rear Window is an edge-of-your-seat classic starring two of Hollywood's most popular stars. When a.
Rear Window Movies / TV VideoClassic Mini Mk1 Conversion - Fabricating 1960’s Mk1 rear window aperture Ihre weibliche Intuition findet bei Doyle jedoch kein Gehör und veranlasst ihn, nach einer von Sarkasmus begleiteten Diskussion seine Hilfe Streaming Strafe einzustellen. Eleonore Noelle. Nach ihrer Ankunft schrieb sie von dort eine Postkarte. William Brogdon nennt Das Fenster zum Hof im Variety vom Grace Kelly Collection (The Swan / Rear Window / High Society / High Noon / The Country Girl / To Catch A Thief) out of 5 stars DVD $ $ Get it as soon as Tue, Jan FREE Shipping on orders over $25 shipped by Amazon. Only 18 left in stock - order soon. Rear Window (2,) IMDb 1h 52min X-Ray PG An inventive thriller from director Alfred Hitchcock: a photographer, confined to his apartment with a broken leg, thinks he sees a neighbor getting away with murder, and enlists his socialite girlfriend to dig up the truth. NAGD Rear Sliding Window Glass Back Slider 4 Panel Compatible with Toyota Pickup 2 Door Standard Cab Models. out of 5 stars 8. $ $ FREE. The hero of Alfred Hitchcock's "Rear Window" is trapped in a wheelchair, and we're trapped, too--trapped inside his point of view, inside his lack of freedom and his limited options. When he passes his long days and nights by shamelessly maintaining a secret watch on his neighbors, we share his obsession. Rear Window is a American mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrich's short story "It Had to Be Murder". Originally released by Paramount Pictures, the film stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, and Raymond Burr. Directed by Alfred Hitchcock. With James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter. A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder.
Ausgerechnet im Mauerwerk Kodi 64 sie Rear Window dem Regisseur Pierre. - Das Fenster zum Hof als ultimativer Quarantänen-Film?In: Arts.
In this brilliant movie about watching the neighbors, Alfred Hitchcock turns the lens on his audience. Radheyan Simonpillai. Just possibly the second most entertaining picture after The 39 Steps ever made by Alfred Hitchcock.
TIME Staff. I shall just leave it up to the spectator to appreciate the technical perfection of this film and the extraordinary quality of its colour.
Claude Chabrol. Samit Sarkar. For a film with few sets, only a handful of roles, and no special effects or visual wizardry, the film is a singular masterpiece.
Mike Massie. If someone who has never seen a Hitchcock film asked me to recommend the one they should see first, I would pick Rear Window.
Allen Almachar. An incisive observation of the psychological traps of speculation and voyeurism. It's one of the best films in the Hitchcock's catalog.
Yasser Medina. The acting is impeccable. The novelty appealing. The climax thrilling. The length too long. Virginia Graham. Top Box Office. Critics SIGN UP LOG IN.
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Log In. First Name. Last Name. Alfred Hitchcock is considered by most to be the master of suspense. I believe he was also a master of understanding human nature.
He intuitively understood that human beings are voyeurs by nature, not in the perverted sense, but in the curious sense. We are a species that slows down to look at accident scenes and steals furtive glances at lovers in the park who are oblivious to everything but each other.
A major appeal of cinema and television is that they offer us an opportunity for guilt free voyeurism. When we watch a film, aren't we in essence looking through a window and watching people who behave as if they don't realize we are there?
Hitchcock realized this and took voyeurism to the next level, allowing us to watch a voyeur as he watched others. Hitchcock's mastery is most evident in his subtle use of reaction scenes by the various characters.
We watch an event that Jeff James Stewart is watching and then Hitchcock immediately cuts to his reaction.
This is done repeatedly in various layers even with the other tenants as they interact with one another. For instance, in the scene with Miss Lonelyheart Judith Evelyn , we see her throw out the man who made a pass at her and then we see her reaction after she slams the door, followed by the reaction of Jeff and Lisa Grace Kelly.
In another scene, Detective Doyle Wendell Corey sees Lisa's nightclothes and presumes she will be staying the night.
This elegant scene takes a few seconds and speaks volumes with little dialogue. Such technique gets the viewer fully involved, because if we were there this is exactly what we would be doing, watching the unfolding events and then seeing how others around us responded.
In essence, it puts us in the room with them. Hitchcock was a stickler for detail. For instance, he aimed the open windows so they would show subtle reflections of places in the apartment we couldn't see directly.
However, there were certain details included or excluded that were inexplicable. Would Thorwold really be scrubbing the walls with the blinds open?
Would Lisa be conspicuously waving at Jeff while Stella Thelma Ritter was digging up the garden? Moreover, wouldn't Lisa have taken off her high heels before climbing a wall and then a fire escape?
This film had numerous small incongruities that are normally absent from Hitchcock films. Though these are picayune criticisms, they are painfully obvious in the film of a director known to be a compulsive perfectionist.
The acting is superb in this film. Jimmy Stewart is unabashedly obsessed as the lead character. Photographers have an innate visual perceptiveness and the ability to tell a story with an image and Stewart adopts this mindset perfectly.
Though cool at times, she is often playful and rambunctious. I always enjoy Thelma Ritter's performances for their honesty and earthiness and this is another example of a character actor at her best.
Raymond Burr often doesn't get the recognition he deserves for this role, which is mostly shot at a distance with very few lines.
Yet, he imbues Thurwold with a looming nefariousness using predominantly physical acting. All Titles TV Episodes Celebs Companies Keywords Advanced Search.
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Garden City, N. Hitchcock's Films Revisited. New York: Columbia University Press. Abend , U. American Film Institute. Retrieved August 23, Retrieved September 8, CNN Money.
BBC News. September 22, Alfred Hitchcock. Filmography Unproduced projects Themes and plot devices Cameos Awards and honors Bibliography.
The Pleasure Garden The Mountain Eagle The Lodger: A Story of the London Fog The Ring Downhill The Farmer's Wife Easy Virtue Champagne The Manxman Blackmail Juno and the Paycock Murder!
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On the set the actor reached a personal milestone: speaking without being plugged into his ventilator for the first time. Rear Window was filmed on location in New York City , at the Burke Rehabilitation Center where Reeve was being treated in White Plains, New York , and in two converted Otis Elevator warehouses in Yonkers.
Scenes were also shot at the New Jersey Performing Arts Center in Newark. In his review in Entertainment Weekly , Ken Tucker said, "Reeve's real-life tragedy lends true fear to the scene in which the bad guy cuts off Jason's air-supply tube.
But the problem here isn't Reeve's performance so much as it is the slack, awkwardly updated, and frequently confusing teleplay by Eric Overmyer and Larry Gross.
The production also could have used a supporting character with the vim and vinegar of the original's Thelma Ritter. From Wikipedia, the free encyclopedia.
Rear Window Promotional poster. Christopher Reeve Daryl Hannah Robert Forster Ruben Santiago-Hudson. Christopher Reeve Steven Haft Robert Halmi Jr.